, or "Is anybody listening?". Demand is definitely truth rhetoric, whereas nonhardly comes news of another Icelandic group, the ears of indie fans from across Europe will authorize immediately captured by the usual irrepressible curiosity to whatever is the island of ice. But what really surprises is that it rarely happens that he be disappointed, but ... Around the items Auður and Egill, brother and sister as well as the pivot of the band's songs come to life sert a powerful charm, from the initial
Apòteles , exploding from a growing instrumental three minutes, the lively and muscular freshness
Bolaheidfall (echoes of Fanfarlo wise use of the trumpet), from the solemn dream ride
Opin fyrir hit all'impagabile gentle folk Prentvillur, darkness doorsiana Horft inn
Bolaheidfall (echoes of Fanfarlo wise use of the trumpet), from the solemn dream ride of the strings and airy insouciance all'obliqua (the very's)
Skòfkladu
Wed. Nóra's talent is the ability to combine spontaneity and attention to detail: take the immersive Haedi , impressionism acoustic Milliludur I or delicate Sjònskekkja which seems to play a hybrid of the elegance of songwriting Badly Drawn Boy and folk "post Belle & Sebastian" Swedes Vapnet.Il strumnentazione everything from a basic canonical way: guitar, bass and drums which are grafted synth, piano and other well-chosen inputs. Certainly Er einhver to hlusta? is not a perfect album, but certainly Nora candidates - and with a good chance of winning - in the palm of newcomer of the year. entire disc listening on Bandcamp
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