Where Can I Find Nympho

Those Dancing Days - Daydreams & Nightmares

We waited for him for a while '- complicates individual cleverly sipped the last few months-and now we have in our hands, the second album of Those Dancing Days after In Our Space Hero Suits . Forget objectivity now: at the bottom of the predominant impression è quella di averle tenute a battesimo, Linnea, Cissi, Rebecka, Lisa e Mimmi, e già due anni fa – pur consci dei limiti di una band formata da un pugno di diciottenni appena uscite dal liceo – non nascondevamo la nostra predilezione per le canzoni delle fanciulle di Nacka. Il primo impatto emotivo con Daydreams & Nightmares è allora la possente Reaching forward , ed è un salto in un mondo tutto nuovo rispetto alle TDD che conoscevamo: il carillon elettronico è sottilmente claustrofobico e inquietante, la ritmica torrenziale e bellicosa, la chitarra scabra, affilata, incredibilmente efficace nei suoi geometrici ghirigori, e la voce di Linnea mai così sexy, powerful, inspired, all four minutes of running at breakneck speed that literally leaves you breathless. A marvel. "A successful nightmare" as he sang Degregorio. And if by "nightmares" that begins, here was immediately after the brightest "daydream" of the disk: I'll be yours, with its formidable , dynamic, passionate, playful, light is not unanimous only the best track to date written in the brief but respectable career of the five Swedes, but it is also one of the most naturally exciting love songs that the undersigned has had the good fortune to listen to the thousands of love songs that he listened in many years. In itself, a small treatise on what may be the indie-pop: a naive and studied music at the same time, self and altruistic, but apparently easy at all obvious in practice, able (in our case) to shred any label because of gender or membership of good or evil it brings together so many, the open-mindedness and danceable melodic soul of the sixties girl-groups of the essential craft alternative rock of today, with the deliberate purpose of joy in forward no more than three minutes duration. Another surprise then, and it seems like almost too early, so that then the rest of the disc is likely to play really quietly, which is a shame, because Dream about me and Help me close my eyes, which follow in order, have a taste of new wave and synth guitar which is basically an unexpected pleasure, and while listening you can not help but think once more that Linnea has a voice that is a miracle. Can not find entrance, another potential single (produced by Max Martin, someone who knows something of pop), sends the fireball melodic track that run in the first two episodes, and then immediately explodes Fuckarias , bold, fast and energy, two and a half minutes of irresistible, lovable mischief. If Forest of Love less convincing, the fluid When we fade away skillfully blends romance and freshness, overlapping again a melodic line with a soulful pop-rock structure fast and brilliant, with the voice of Linnea usual to keep it all together with surprising grace. So much so that - we are now towards the end of the disc, the parties to Keep me in your pocket (a Lullabie Cure played to a hundred per hour) and muscle I Know Where You Live pt.2 - clear clearly how the power of TDD is also and above all, in their ability to put together with an ease almost inexplicable seemingly disparate ingredients (sung by a well defined and recognized borders, an essential rhythm section, often martial and now and then overflowing, poderosi bordoni di sinth, scampanellanti carillon elettronici, handclapping d’ordinanza e una chitarra elettrica dal suono marcatamente indie di precisione chirurgica), con l’effetto di far muovere anche le teste più distratte e i piedi più pigri. Titoli di coda sul duetto (con Orlando Weeks dei Maccabies) One day forever , altro saggio di contrasti fra l’apparente “vuoto” della strofa sostenuta dalle voci e dalle rudi pennate della chitarra e la saturazione sonora del chorus, fra dolcezza introspettiva e inarrestabile estroversione (dalle parti di Jonsi direi), a chiudere idealmente il cerchio iniziato 37 minuti prima.

Tiriamo le somme. Daydreams & Nightmares è un disco di sicura e ammirevole maturità e fa capire anche ai pochi dubbiosi che le TDD non sono una band di simpatiche e talentuose ragazzine, ma cinque musiciste di primissimo piano nella scena indie scandinava, ambiziose e coraggiose, in piena e costante evoluzione. Rispetto agli esordi – fatta eccezione per I’ll be yours – ci sono meno episodi di frizzante immediatezza (quelli di cui ci eravamo innamorati due anni fa), ma si tratta di una evidente e giustificata conseguenza del lavoro che le svedesi stanno facendo su sè stesse, sulla struttura delle loro canzoni e sul loro suono. 

Prom Dresses For 50 Dollars

Norma Sass - Hunting For Treasures

In attesa dell'uscita imminente dell'album delle svedesi Those Dancing Days, oggi vi propongo un altro quintetto tutto femminile: le Norma Sass . Basate ad Oslo e reduci da un ep già coperto dall'airplay radiofonico locale, le ragazze hanno da poco pubblicato il loro disco d'esordio dal suggestivo titolo Hunting For Treasures . Trascinate dalla voce potente e calibrata di Thea Glenton Raknes, le norvegesi propongono un pop-rock dinamico con radici nel cantautorato femminile anglo-americano e ambizioni indie, puntando su melodie di canonica immediatezza impreziosite da arrangiamenti non scontati, che tessono insieme in trame mottled, shiny ringing guitars, vocals and piano. The effect is indeed uneven success, with some repetition of too much, but songs such as dynamic and refined Japan, Fish tank, I know they're hip and delicious hopless Robbery , so pleasant as nicely in the unusual (manicured) details, they weigh the scales on the side of the talent of the five girls, and closely resemble the style of an elegantly eclectic bands like the Swedes Hellsongs (who will be missed very much, unfortunately ...).
For the moment let's keep an eye on could be the beginning of an interesting career.

Licensz Kód Mount And Blade

NO ALLO SPEZZATINO DI UMBRA ACQUE

The Circle Left Ecology and Freedom "Upper Tiber Umbro" wishes to express its firm opposition to the project company of "Umbra Waters" to provide a operating company and purpose within the same company.

This project, second SEL, foreshadows corporate structures differ from those currently under concession, outsourcing of activities that are fully part of the mixed public-private institutions which have given the award by public tender.

as rightly pointed out the unions, the logic behind these unscrupulous operations is that, worn out, the "creative financing" that has caused so much damage to the country. Ultimately, only a ploy to circumvent some of the points placed at the corporate budget, and ensure greater profits to the private partner.

SEL believes that a major development project should be able to combine, not chopping. And that is to act as primary goals the reduction of tariffs and improving the quality of service. All things that the proposed division of "Umbra Water" seems to us not make it any easier to reach.

SEL therefore calls on the mayors of 38 municipalities members of "Umbra water" to meet the unions, which have submitted a request to that effect since last December 1 and to give precise answers to the question.

Mauro Rossi

(Creative Circle "Upper Tiber Umbro" Left Ecology Freedom)

Marilyn Ftvmembers Freeones

Harrys Gym - What Was Ours Can’t Be Yours

Based in Bergen and centered around the charming voice of Anne Lise Frøkedal, the Harrys Gym induibbiamente are a group of Scandinavian indie scene to aim for a successful career outside the national borders. Fresh from a debut album (Harrys Gym) interesting but not memorable, much inspired by the style of Blonde Redhead, the four Norwegians give today to press their second feature What Was Ours Can not Be Yours , rising sun certainly step higher in quality.
the propensity to remain unchanged acid and gently hypnotic dream pop band's Kazu Makino ( Mountains, Sailing home and The ring is a good example), but the Norwegians in the disc is an extra effort to make hybrid and refined their sound, adding accents radioheadiani ( The visitor ), working on electronic samples on a rhythmic Franta and oblique and suggestive of overlapping voices ( Old Man, Extraordinary girl ), pushing on the pedals and soft melodic shoegaze distortion ( Toothpaste ) and wisdom in slowing down with a lullaby of reverb ( Tell it to my face ) and the carousel graceful and dreamily The Part That falls .
Result: all packaged very well, without moments of great enthusiasm or shooting forward, but with an undeniable and remarkable ability to move with balance and good taste in this particular style, between nostalgia and experimentation.

Pool Side Bangbrothers

SE NON ORA, QUANDO?

We take this opportunity offered to us by the mobilization of Italian women to Sunday, February 13 to launch an appeal to the coalition parties center-left of Citta di Castello, who are still scrambling in search of candidates for mayor in local elections next May 15.
In Italy the majority of women work outside or inside the house, create wealth, he sacrifices himself, takes care of the emotional relationships and family, taking care of children, husbands and elderly parents. In many
are engaged in public life, parties, trade unions, voluntary work. Account and have self-respect, freedom and dignity obtained by the sacrifice of many generations of women who helped build the democratic nation as we know it today.
This rich and varied experience of life is erased from repeated indecent representation of women paraded naked as a sexual object of exchange offered by newspapers, television, advertising. And this is no longer tolerable. Ecology of Freedom Left
We ask that parties of the center-left coalition which is preparing to face the agony of election to give a sign in this direction.
E ' very little time left now, because the presentation of voter lists and signature lies. And the primaries, and in a manner unheard by us indicated from the outset as an effective dispute resolution, appear increasingly feasible only as a force. Today, the only really effective way to keep the center-left would be to abandon the national aspirations and personalistic "rites" partitocratici. E'ora to present the program immediately and candidates of the coalition, but better would be converging on a non-partisan figure is particularly representative of the times that we live. Better, then, if this figure was the figure of a woman's a precarious worker.
E 'come forward to get out of this quagmire. And if not now, when?


Mauro Rossi
(Left spokesman Ecology Club Upper Tiber Freedom Umbro)

Colitis Disabled More Condition_symptoms

The Greencoats - A Blend Of Silk & Satin

Two or three years ago we were impressed by a kindly ep just released a new band from Gothenburg, The Greencoats , with undeniable talent who brought a new interpretation of pop-rock psychedelic sixties and seventies, filtered through the colored lenses of the Brit-pop, shoegaze and early Teenage Fanclub. In the last months of last year the worthy Tomte Recordings Stemp has given the band's first album of Branch Spatalovic A Blend Of Silk & Satin : Ten pieces inspired by the models mentioned above, which could come out safely from a disk of Crosby '69 ( There is no way back philology is free) or from the repertoire of groups of the early / mid nineties - I think Charlatans, Bluetones, Kula Shaker - trying to actualize the essence (not the fins) of the English psychedelic rock band in full-wave brit pop, and all the equipment (used in a more or less effective) of body whorl, the unmistakable aroma of Indian sitar, mesmeric jingle jangle guitar, electric acidic distortion, chorus deftly superimposed and so on.
In truth it is difficult to imagine a group more "outdated" by Greencoats (not that the genre itself is dead, but follow different paths, more hybrid and less stringent dell'ortosossia style and sound of the Swedish band), but when our push on a hypnotic and energetic power-pop à la Dandy Warhols ( Stay a while , A photograph of memories , Can not find the time for us , all on the verge of copying ...! ) are if anything exciting, amusing and entertaining. In a couple of episodes also appears the gracious voice of Malin Dahlberg (We Are Soldiers We Have Guns).

The Greencoats - Satans Rollercoaster Ride from Tobias Martinsson on Vimeo.

Sirius Boom Box Power Cord

Magnus Moriarty - Kodachromerockopera

do not know if it is true that is said to Magnus Nielsen on the site of his label, Audio Metronomicon - that our program for six months a year working in a cemetery in Oslo six recorded his songs - but if not, the bizarre charm (but by no means decadent) of his artistic creation, Magnus Moriarty , it is clear also from his records. Kodachromerockopera , latest work of violinist and eclectic singer / songwriter Magnus and his companion Ergo, since called us into a world aesthetically and elegantly retro, chronologically between the end of the sixties and seventies of the half, along a thin, glittering and fragile connecting the first English psychedelia to prog mannerisms. Keeping away from it wisely, Magnus Moriarty moves with fun skills along the colorful streets and convoluted, pop, rock and folk, once drawn by Syd Barrett, dall'Incredible Strng Band, the Pentangle, the Soft Machine, mixing a spirit of simplicity and synth violin in a series of squares more or less bewildered and always pleasantly ironic. When Magnus begins to sing in the fascinating piece that opens the album, the delicate and oblique A great waste of time, the impression of being faced with a new production of enough praised Welsh Gorky's Zygotic Mynci (90 bishops at the beginning of an eccentric and pastoral psychedelic folk-revival with ascending Gaelic) is surprisingly strong, impression which is reflected in many subsequent pieces (# 1 No surf, surf No # 2) and in particular voice of Magnus that the sparkling melodic structure of the songs animated by rhythm changes, complex and unexpected instrumental contributions (after hearing work as woodwinds, strings and organ in the move Citadel etc. ), fast riffs à la Belle & Sebastian ( F # and so on D Minor) profumi folk medievali ( She lingers in the grandest of fields , I've been purcelled! ), corali e acidi divertissements ( Knightscryrockettears ), impressionistici rallentamenti ( With regards to her royal lateness ) e vigorose scampanellanti accelerazioni ( Darjeeling firts flush, Ticho? ). Il tutto in nome di una leggerezza di tocco che poco ha a che fare con il vistuosismo psichedelico dei connazionali Motorpsycho e che invece si può trovare in altri gruppi norvegesi di sicuro talento come Je Suis Animal o Professor Pez.
Album senz'altro da ascoltare, e se vi piace cercate gli album precedenti.

Magnus Moriarty™ - KnightsCryRocketTears from Sissyfus on Vimeo .

Sisters Littlest Pet Shop

ALLE ORIGINI DEL “MARCHIONNISMO”

So Sergio Marchionne has decided that Turin will not be the " capital of the car, but at most one of the capitals of the car ...

Those who believed, or hoped, that the appetites were appeased by Marchionne di Mirafiori blackmail have been served: those that export Marchionne defines "business centers" only means impoverishing the Italian know-how, the industry is by design and, ultimately, deplete all quell'indotto that around one in Turin and the Italian FIAT wheel.

There is, I believe, a lot of naivete in those who delude themselves to appease the unquenchable thirst of capitalism: capitalism can not expand forever. Because capital is the one "form" is, or which contains an intrinsic dynamic movement.

capital can not "stop", because the stop would lose what is its unique characteristic: a firm capital is a capital no longer dynamic, but a leaky capital another ground in respect of capital which, immediately, topped with arise for its dynamism. Every concession to

Marchionne will, therefore, always followed by new demands. Each blackmail will necessarily be followed by another blackmail.

In fact, it's all too easy to see in the "Marchionni" the signs of that process that the great conservative economist Joseph Schumpeter described with great intellectual clarity back in the 40s of 900. The transformation of "property", where the start of the massive spread of the "joint-stock company" gave a strong and decisive turning point in the transformation of the FIAT una spersonalizzata società finanziaria. Una società non più, dunque, riconducibile alla grande e classica famiglia di industriali (nel nostro caso gli Agnelli), ma ad un ben consolidato ed impersonale duopolio: grandi e piccoli azionisti.

Che la FIAT sia, oggi, più una società finanziaria che una industria è dimostrato dall'aumento del valore azionario, avvenuto in coincidenza di un drammatico calo delle vendite di automobili.

Ed in realtà, l'accordo di Mirafiori non era certo finalizzato ad una maggior produttività (a questo basterebbe, a ben pensarci, che la FIAT si mettesse a fare modelli che abbiano un ben diverso "appeal"), ma era un chiaro segnale che Marchionne lanciava ai suoi azionisti (che infatti lo hanno subito premiato).

Lo stesso segnale che lancia oggi, ipotizzando una FIAT sempre più internazionalizzata, e quindi sempre meno permeabile dalle pastoie che gli stati nazionali ancora si permettono di “costruire”.

E' ormai chiaro a tutti che ad un capitalismo internazionale non possono corrispondere stati nazionali. Oggi sta avvenendo, in ben altra scala, ciò che avvenne nel medioevo, quando i primi mercanti trovavano insopportabili certi vincoli "statuali" (qualcuno forse ricorderà l'esclamazione: "un fiorino!", pronunciata dal doganiere nel celebre film "Non ci resta che piangere").

L'incongruenza between economics and was produced, then, the "lex mercatoria": the law of the market, and this "law" gradually surpassed the feudal institution, resulting, in Italy, the Signoria, and elsewhere in early embryos of the nation state.

hard to say what will, today, the "lex mercatoria". The internationalization of capital should rationally pay the internationalization of the political, but it seems this way.

inadequacy of the national state, still tied to the classical view of nineteenth-century "blood and land", is instead responding with the rediscovery of "small countries", ie the repetition of the same vision, ma ancor più definita e precisa nei suoi confini.

La stessa cosa sta avvenendo ad altri livelli, quale quello sindacale, dove all'inadeguatezza del contratto nazionale si sta rispondendo con un tipo di contratto, quello aziendale, ancor più definito e specifico.

Quanto ci sia di razionale (ma ci accontenteremmo anche di un "ragionevole") in tutto ciò è ben difficile capirlo.

Mauro Rossi 

(portavoce Sinistra Ecologia Libertà circolo "Altotevere Umbro")

Famous People With The Std Trichomoniasis

APPELLO DI VERINI CONDIVISIBILE: L’UNITA’ PRIMA DI TUTTO

Left Upper Tiber Umbro Ecology Liberty believes that the appeal launched by a senior member of the Democratic Party, as the Hon. Walter Verini, represents a valuable stimulus for a coalition of center-left which still has not, and is a euphemism, to find the unity for which SEL has always maintained the absolute necessity.

We think it's time to say enough to the tactics exasperated all'attendismo, decisions taken in "secret rooms" where the feverish frantic negotiations on the names of possible candidates, but which lack a more "high" politics, an idea on how to overcome this critical phase of the economy and society of our district.

SEL believes it is essential to a sharp acceleration in the process towards the single candidate of the center-left. We believe that the many distinctions, the hesitation, the personalities, the positions taken by the press that we are witnessing in recent times not needed. What is needed instead is to responsibly get out a project for the future of the city, opening up to new people who also represent a new energy and new commitment in the management of public affairs.

If you intend to really work hard in this direction, Left Ecology Freedom is ready to do its part to put the alternative tactics and "politicism" the coalition and to present their point program on issues of waste, health of the plan and all those instances that now more than ever, require specific policies and unmistakably left.

Mauro Rossi

(Upper Tiber Umbro spokesman SEL)

How Do I Introduce Myself Via Email

Lisa Miskovsky - Violent Sky

Ammetto di avere un cattivo rapporto con tutto ciò che riguarda Peter Bjorn & John. Certo, qualche anno fa anch'io sono corso a comperare Writer's Block e fischiettavo volentieri Young folks, poi però non sono più riuscito ad entrare in sintonia con le scelte artistiche (separati o insieme) del trio. In attesa che esca il nuovo album (che vira verso il rock e - lo dico subito - non mi piace e non credo che recensirò) mi è capitato per le mani questo quarto album della svedese Lisa Miskovsky , Violent Sky , produced by Bjorn Yttling own.

Lisa is not a newcomer in the Scandinavian scene: more than thirty years behind hit records (the last in 2006), his signature in a hit worldwide but not exactly memorable patient ( Shape of my heart of the Backstreet Boys) and even a parallel to snowboarders and hockey player. Violent Sky is a small turning point in his artistic career and is worth some careful listening if only to reflect on an interesting point of the Scandinavian female singer-songwriter, recently characterized by an anxiety that seems to "modernization" by well-defined edges and targets uncertain. We listened to it, recently, many recordings by artists who work to give their songs a shape and a sound that would define the critical field with the adjective, or "current", which translated means a pigeon-song structure more or less traditional inside buildings more or less based on large and complex rhythms and odd electronic sounds. Operation designed to trendy nightclubs (Robyn), the selections night radio (Lykke Li) or a public appassinonati lovers of shades and unusual solutions (Nina Kinert, perhaps the most "on fire" for all). Clearly, a veteran Yttling end up being able direction of hybrid operations of this kind, and the new album is a girl's Umea good example of this trend aimed to please fans of the less obvious songwriting (Anna Ternheim, etc.). and also to intrigue - to say - those who listen to Madonna the last things (in the voice of a little Miskovsky 'looks like, after hearing the' This initial fire or flirtatious chorus of Some of us ). Ultimately
Violent Sky is a good job, and Got a friend is a single well thought worthy of attention by a wider audience, but to myself (as well as many critics Swedish) is the feeling of be confronted with a series of cold objects with little soul, though pleasant to listen and products with great wisdom. Ma probabilmente è un limite mio...