Ammetto di avere un cattivo rapporto con tutto ciò che riguarda Peter Bjorn & John. Certo, qualche anno fa anch'io sono corso a comperare Writer's Block e fischiettavo volentieri Young folks, poi però non sono più riuscito ad entrare in sintonia con le scelte artistiche (separati o insieme) del trio. In attesa che esca il nuovo album (che vira verso il rock e - lo dico subito - non mi piace e non credo che recensirò) mi è capitato per le mani questo quarto album della svedese Lisa Miskovsky , Violent Sky , produced by Bjorn Yttling own.
Lisa is not a newcomer in the Scandinavian scene: more than thirty years behind hit records (the last in 2006), his signature in a hit worldwide but not exactly memorable patient ( Shape of my heart of the Backstreet Boys) and even a parallel to snowboarders and hockey player. Violent Sky is a small turning point in his artistic career and is worth some careful listening if only to reflect on an interesting point of the Scandinavian female singer-songwriter, recently characterized by an anxiety that seems to "modernization" by well-defined edges and targets uncertain. We listened to it, recently, many recordings by artists who work to give their songs a shape and a sound that would define the critical field with the adjective, or "current", which translated means a pigeon-song structure more or less traditional inside buildings more or less based on large and complex rhythms and odd electronic sounds. Operation designed to trendy nightclubs (Robyn), the selections night radio (Lykke Li) or a public appassinonati lovers of shades and unusual solutions (Nina Kinert, perhaps the most "on fire" for all). Clearly, a veteran Yttling end up being able direction of hybrid operations of this kind, and the new album is a girl's Umea good example of this trend aimed to please fans of the less obvious songwriting (Anna Ternheim, etc.). and also to intrigue - to say - those who listen to Madonna the last things (in the voice of a little Miskovsky 'looks like, after hearing the' This initial fire or flirtatious chorus of Some of us ). Ultimately
Violent Sky is a good job, and Got a friend is a single well thought worthy of attention by a wider audience, but to myself (as well as many critics Swedish) is the feeling of be confronted with a series of cold objects with little soul, though pleasant to listen and products with great wisdom. Ma probabilmente è un limite mio...
0 comments:
Post a Comment