Last Days Of April - gooey
And 'certainly bizarre choice made by Nina Kinert
for the cover of her new album Dream Tuesday, November 23, 2010
Oliveoilmakeupremover
Red Leader velvets precious stones very hot intergalactic worlds, Our framed by a kind of giant orchid, all dominated by the disc title characters in improbable sci-oriental. Explanation: The twenty-seven Swedish is a fan of science fiction and his new work (the fourth of his career, if I count well) was inspired by the Star Wars saga. 
What counts in a hard but not so much the exterior, as the content, and this is the musician in Stockholm seems to have very clear ideas, is also continuing to develop a personal style in this episode opened balanced experiments with electronic, elaborate production and focused on his voice powerful and versatile.
The harp and the chorus of exotic 
What counts in a hard but not so much the exterior, as the content, and this is the musician in Stockholm seems to have very clear ideas, is also continuing to develop a personal style in this episode opened balanced experiments with electronic, elaborate production and focused on his voice powerful and versatile. Moonwalker
lead us now in a suspended hypnotic and fascinating - the world's forests and impenetrable night we did get to The Tiny Ellekari Larsson (the love of Kinert for fantasy is obvious) - but immediately after the championship and beat the first single geometric
lead us now in a suspended hypnotic and fascinating - the world's forests and impenetrable night we did get to The Tiny Ellekari Larsson (the love of Kinert for fantasy is obvious) - but immediately after the championship and beat the first single geometric
Play the world brings us into the contemporary or futuristic Likke Li Peter Bjorn & John. The album then proceeds to repeatedly putting together these two lines, from spacious and obsessive Down on heaven alle sfumature bjorkiane di Tiger you , dal morbido carillon di Wings alla ballabile leggiadria tecnologica di 4-Ever , dall’estatica eleganza della murder ballad
Original sin (le ultime cose di Susanne Sundfoer hanno lo stesso gusto dolceamaro) all’obliqua catarsi dell’aerea
25 , passando per quel piccolo ibrido gioiello pop che è Push it , con le sue mirabili stratificazioni di cori etnici e sample elettronici tenuti insieme dalle evoluzioni vocali di Nina. Red Leader Dream è un album di classe, testimone delle grandi capacità di una delle cantautrici più atipiche and courage of the Scandinavian landscape.
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