Wednesday, November 17, 2010

Remove Aluminium Oxide

Nina Kiner - Red Leader Dream

Among the Icelandic band who have captured the limelight in recent years, Hjaltalín are perhaps the most potential pop up and at the same time the most elusive, for their tendency to mix melody and instrumental eclecticism. Their debut three years ago
Sleepdrunk
Seasons (also distributed in our country last year, paving the way for the album that we are reviewing today: you will find it in stores) had struck criticism for its pleasant otherness between indie rock "Canadian" (Arcade Fire, for instance) and unusual touches sinfonici, bandistici e jazz.
Terminal
ritrae la band di Reykjavik impegnata in un'ambizioso lavoro di evoluzione del loro già complesso stile: gli apporti orchestrali si fanno architettonicamente più articolati e impegnativi (dalle parti dell'ultimo Sufjan Stevens ascoltabile, cioè quello di
Illinoise Hjaltalín - Sweet Impressions


Hjaltalín

Le Futur Pompiste (published by Shelflife) takes up the left dangling for a long time, independent of Burning Heart dall'interessantissimo project set up in the meantime by singer Jessica Rapo and instead gives the listener the same atmosphere and elegantly retro politely and electronic equipment of their first album.
In fact, listening to the songs of Einar Ekström and his companions, one can not help but think that the concept of time, for the LFP, is completely irrelevant: the melodic taste, mesmerizing the jingle jangle of the guitar, the soft sound carpet omnipresent organ, psychedelia Sixti oozing from every note, but at the same time the manufacture of aircraft and synth Electronic humanistic pushes a contemporary vintage cleverly constructed. The pop of the five Finns traveling in a parallel world made of yellowed Polaroids and graceful melancholy, and yet seemingly icy hot into the details of each of the ten pieces, which are treated with obsessive attention. While there are few concessions to the immediacy (ultimately only the adorable My trophy ) Le Futur Pompiste intended rather to create an idea for 35 minutes of music unique and immediately recognizable, giving rise to a pop aesthetic nourished plays fine: very intellectual operation, perhaps a little 'cold and solipsistic in the result, and yet full of charm and well conducted.

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